Busted out the old drum pad

15+ years ago, James Sparling wrote the front end of this ditty for Nick Fields and Ross Patterson. Who then taught it to Chris Demuth and, later, me.

Then Nick and I blew it up for the high school variety show.

This week, my ward had a talent show and I figured I’d pull my quad pad of out storage to play something.

Here you go:

Smooth Jazz (on Argyle with a Banana Split on the Side)

Performed Solo, by the weaker half of Nick Nat Diddle Tap

Video Cred: www.andybeutler.com

By |2021-01-15T15:37:23-07:00April 11th, 2017|Music|0 Comments

Sang in General Conference

My stake and a neighboring YSA stake were asked to staff the choir for the Priesthood Session of April 2017 General Conference.

I sang T1. About 40 guys I go to church with each week spread themselves out across T1/T2/B1/B2.

#ThisIsWinmill

We sang . . .

Rise Up, O Men of God

Jesus, Once of Humble Birth

(Made the camera on this one, around 0:48)

Redeemer of Israel

and

Hope of Israel

Great times. Hats off to our conductor Brett Taylor, music boss over at Mountain View High School.

Takeaways:

  • There are 364 seats in the Conference Center choir loft.
  • Brett embraced his choir-geek music-nerdiness so much that it worked in his favor and won over the cooperation and trust of 364 mostly-amateur-singer dudes to sing with form and sound like a choir.
  • A teacher who loves what they do, cares, finds simple ways to convey and teach building blocks of technique, who provides lots of “this way, not this way” demos, and who provides lots of “see, you’re improving” feedback makes a world of difference in short time.
  • “The more in-tune that 5th is, the more truth there is in it. And thereby, the more the Spirit can testify of the truth of what we’re singing.”
  • “If you come to the performance unshaven and with unkempt hair, heaven awaits you . . . but the choir does not.”
By |2023-11-05T21:02:18-07:00April 3rd, 2017|Faith, Music|0 Comments